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Interview: 28 Years of Beats, Passion, and Evolution: Inside Evosonic Radio with Chris Maico Schmidt aka Mike S.
28 Years of Beats, Passion, and Evolution: Inside Evosonic Radio with Mike S. 🎶
Step into the dynamic world of Evosonic Radio as we celebrate an extraordinary 28-year journey with none other than Chris Maico Schmidt aka Mike S., the driving force behind the station's revolutionary sound. In this candid interview, Mike reflects on milestones that shaped the station—from its rebellious roots in 1997 to its fearless commitment to underground electronic music.
Discover how Evosonic maintains its authentic vibe while embracing global expansion, the secrets behind curating boundary-pushing content, and the raw moments that tested their spirit. Mike even teases bold future projects—yes, broadcasting from space might just be on the horizon!
For long-time fans and curious newcomers alike, this interview offers a rare glimpse into the heartbeat of a station that’s not just survived but thrived without ever following the rules. Get ready to journey through time, beats, and the unwavering passion that defines Evosonic Radio.
Dimitris: When you look back on 28 years of Evosonic Radio, what stands out as the most significant milestone in the station's history?Mike : Honestly, it’s the fact that we’re still doing radio the same way we did back in 1997—about 90% of the time. EVOSONIC has never followed the traditional radio playbook. We don’t stick to rigid formats. Instead, we give our music editors and DJs the freedom to shape their shows. That’s how we bring the freshest club sounds straight into our listeners’ living rooms, 24/7. Our programming covers all sorts of styles within electronic music.Dimitris: How has electronic music’s evolution influenced Evosonic Radio’s programming and direction over the years?Mike : Honestly? It hasn’t. We’ve always been about the underground. We play what’s hot now, just like we did back then. And we’re just as passionate about the sounds of yesterday as we are about what’s coming next.Dimitris: The anniversary event features a diverse lineup of artists. How did you put together this special list?Mike : It’s pretty simple—our lineup is made up of our radio hosts and artists and collectives we’re friends with. If people find it special, then we’ve done something right.Dimitris: How have you managed to keep Evosonic Radio’s original identity intact while expanding globally and reaching new audiences?Mike : It’s all about staying true to who we are while being open to reinvention. We’re curious about new ideas, but we don’t jump on every trend. We form our own opinions, but we also listen to others. Respect is key. Looking back, it’s kind of like walking a tightrope—every single year.Dimitris: What exciting projects or developments can Evosonic Radio listeners look forward to as you start the next chapter?Mike : We’re planning to broadcast from space. Seriously.Dimitris: Mike, when you reflect on 28 years of Evosonic Radio, which personal moments are especially memorable to you?Mike : Ha, ha, ha… answering that could take forever. If I ever write a book about it—which has been on my mind quite a few times—that’s where you’ll find all the stories, down to the smallest detail. I promise.Dimitris: How has the station’s mission or vision evolved since the beginning?Mike : At first, we were focused on the business side of things. Now we operate as an association, but our goal has always been the same: preserving our cultural heritage.Dimitris: Evosonic Radio has seen a lot of technological changes over nearly three decades. Which of these developments has influenced your experience as a radio host the most?Mike : None, really, when it comes to hosting. But as a DJ? Moving from lugging around 30 kg of vinyl records to just using a USB stick—that’s been a game-changer for me.Dimitris: Can you think of a particularly challenging time for the station and how you managed to get through it?Mike : Not too long ago, I dealt with some people who attacked me personally and publicly. They’re still spreading false stories because I removed them from the Evosonic platform—for good reason, I might add. They were misusing it for their own egos. How did I handle it? I didn’t respond at all. It was easy because these were people no one really takes seriously. Looking back, my mistake was not realizing sooner what kind of negativity I’d let in.Dimitris: How do you curate content with such a diverse range of programs and artists while maintaining Evosonic’s unique vibe?Mike : It’s pretty straightforward. I look for the unusual, the different. It HAS to be outside the norm and something I genuinely like. You’ve got to know, love, and live the music to present it on Evosonic.Dimitris: What role has feedback from the community played in Evosonic Radio’s development over the years?Mike : A huge role. Honestly, we probably wouldn’t still be around if it weren’t for our listeners. Their words have kept me going when I felt like giving up. Here’s an example:Back in 1997, I was just 17. Someone at my apprenticeship said, "Hey, if you change the audio frequency on DSF, you can pick up this 'illegal' radio station… ;)))" Boom! Parents asleep, little Tobi connects the stereo to the TV, hits record—Evo Pool Update! 😍😍 Roch Dadier… Massimo… Chris Liebing… It’s Friday night! 🚀🚀🚀 Hearing your voice again feels so good. The jingles have been with me my whole life and always will be. Huge respect for sticking with it. 🙏🏼🙏🏼🙏🏼🤗🤗🤗Dear Evosonic Team,I’m 43 now and grew up with your station. The countless hours spent with friends, recording your broadcasts—we can’t even count them, and we’ll never forget them. Your music has shaped my life in a lasting way.Dimitris: Are there any special shows or collaborations planned for this milestone that you feel really capture the spirit of Evosonic Radio?Mike : Honestly, all of them do.Dimitris: What do you think the future of radio looks like, and what role will Evosonic play in it?Mike : As long as electronic music exists, Evosonic will be part of the scene. Whether it’s still called "radio" down the line—I don’t know. Evosonic will only disappear when I pull the plug.Dimitris: Are there any behind-the-scenes stories from the past 28 years that you’ve never shared publicly but that really capture the essence of Evosonic?Mike : Those stories will be in the book… if I ever get around to writing it.Dimitris: Finally, what message would you like to share with your long-time listeners and the new audience tuning in for the 28th anniversary?Mike : Read this once a week: https://de.wikipedia.org/wiki/HarmonieThanks so much to Mike for his time to reply in this very detailed interview! Enjoy the very special shows celebrating 28 years of Evosonic Radio.28 years of Evosonic Radio - and not a bit quieter!THE BEAT GOES ON - AND THE BEST IS YET TO COME!Evosonic Radio celebrates its 28th birthday - ON AIR, of course!From Wednesday, 30.04.2025, from 5 pm to Sunday, 04.05.2025, 11 pm.Not continuously, but with lots of familiar faces - er, voices - and lots of specials.Details: https://www.evosonic.de/sendeplan/Listen to radio: https://www.evosonic.de/player/Included shows & artists:Dudelsaladt with dudelsaladt. Groovegsus & Friends und Groovegsus. Like that Underground with miKech. Ohral On Air with Maxie König and Hardy Heller. The Drum and Bass Dimension with K-Lyde. MikeLike with Chris Maico Schmidt. Treibessenz with Noah Levin. 1zimmerapartment with Aus der Reihe tanzen. Flux House Anthems Only with Dimitri Kechagias. deKai with Dirty Techno Talk (ohne Talk). Jarweiler with Jörg Arweiler. Absoulute Beach with DJ of 69. Klima und Kohle with Henrik te Heesen, Christian Kammlott. Ad Libitum with Detlef Keller. Midnight Flow with Manikin. Deep & Soulful with Andy Baar. City of Drums Radioshow with Tom La Mer and Alexisalexander. Deepnight Station with Phil Harmony. Mixcult with Kirill Matveev. N.O.X.II and Rick Richter live aus dem Bunker. Dave Reyas with The Fifth Element. Cologne Drum and Bass Radio with Thixotrop. Jackfruit Radioshow with Dompe. Dirk Herzberg with Electronic Xperience. Drucklust with Dynasty Traxx. People of Ramba Zamba with Ponchmann and Markus König. Wo ist Walter? with Walter Marinelli and Alpha’s Crazy Sounds [Rerun] with Alpha. The last birthday show this year is also the first show after Alpha’s return to its old time slot.Additional info: -
Compilation: 25 Years Of Anjuna Mixed By Cephas Azariah out on AnjunaChill
Anjunachill celebrates 25 years of Anjuna with a series of mixes curated by a handpicked selection of artists.Drawing on the label’s rich history of ambient, chillout and downtempo music, each artist will deliver a personal and unique mix of their all-time favourite Anjuna releases across all three labels.Cephas Azariah delivers the first mix in the series.“These songs from the Anjunachill catalogue are designed to create an atmosphere of serene contemplation. It's a sonic balm for the soul, a reminder that even in the midst of chaos, there is always a space for peace - a result of the commitment to showcasing beautiful artistry in the last 25 years.”
25 Years of Anjuna Mixed by Cephas Azariah is available worldwide out now.Anjuna25 celebrates the past, present and future of the Anjuna family of labels through music, events, and the stories of our community. The explore the campaign, head to Anjuna25.com.Buy/Stream '25 Years Of Anjuna' Mixed By Cephas Azariah: HERETracklist:[00:00] Cephas Azariah - Recompose[05:00] Braxton - Reduce Friction[07:35] Cephas Azariah & Elle Limebear - the healing song[11:37] Dae Kim - A Sense of Longing[14:50] Laurel Violet - How To Forget[18:06] Croquet Club - Love In Our Hands (Omfeel Remix)[21:38] Cephas Azariah - The Moon Governs The Night[25:04] Lycroriscoris - Shizumu (Ambient Mix)[28:17] Maty Owl - Walking Slowly[32:42] Omfeel - Medi[35:35] Yotto - Under Trees[40:00] Cephas Azariah - Kintsugi[42:26] Yui Onodera - IZUMO[46:55] Jessie Marcella - Glacial[51:11] Cephas Azariah - A Prologue For Winter[56:11] taennya & Endlesstrains - early rise[01:00:16] Nils Hoffmann & Niklas Paschburg - A Radiant Sign[01:02:44] Cephas Azariah & Elle Limebear - closer[01:08:46] Above & Beyond - Morning In DeiraAdditional info:• Youtube: https://anjunachill.co/ytsubscribe.oyd• Website: https://anjunachill.com• Spotify: https://anjunachill.co/spotify.oyd• TikTok: http://tiktok.com/anjunachill• Facebook: http://facebook.com/anjunachill• Twitter: www.x.com/anjunachill• SoundCloud: www.soundcloud.com/anjunachill• Join our newsletter: https://anjunachill.co/newsletter.oyd -
Compilation: 25 Years Of Anjuna Mixed By PROFF out now on Anjunabeats
PROFF Joins Anjunabeats' 25-Year Celebration with Exclusive Compilation Contributions
Celebrating a remarkable 25 years of musical innovation, Anjunabeats proudly unveils its latest compilation featuring the exceptional talents of PROFF. Known for his melodic depth and progressive house mastery, PROFF’s contributions to this milestone release highlight his enduring influence within the electronic music scene.
PROFF, the acclaimed Russian producer and DJ, has carved a unique niche in the world of progressive house and trance. With a career spanning over a decade, his signature sound—marked by lush melodies, intricate textures, and dynamic energy—has captivated audiences worldwide. His association with Anjunadeep and Anjunabeats has solidified his reputation as a versatile artist capable of both emotive depth and dancefloor dynamism.
The Anjunabeats 25-Year Compilation features several of PROFF’s meticulously crafted edits and remixes, including:Breaking Ties (PROFF Intro Edit) – A fresh take on OceanLab's classic, enriched with PROFF’s melodic elegance.
No Gravity (PROFF Extended Edit) – Showcasing PROFF’s signature progressive flair.
Glittering Puzzle (PROFF Extended Edit) – A tapestry of shimmering synths and rhythmic precision.
Prelude (Andrew Bayer & James Grant Remix – PROFF Extended Edit) – A collaborative reimagining with nuanced depth.
Do Not Cross (PROFF Extended Edit) – A bold, atmospheric journey through lush soundscapes.
World On Fire (PROFF Extended Edit) – A powerful rework of Above & Beyond’s emotive anthem.
I Believe feat. Giuseppe de Luca (PROFF Extended Mix) – A stunning blend of vocals and progressive layers.
For The Night (Extended Mix) – A dynamic collaboration with EKSF, blending energy with melodic charm.
Alquimia (Andrew Bayer Remix – PROFF Extended Edit) – A transformative remix layered with PROFF’s signature touches.
In And Out Of Phase feat. Kerry Leva (Calyx & TeeBee Remix) – A tribute to timeless electronic craftsmanship.
Anjunabeats' 25-Year Compilation not only commemorates the label's history but also celebrates the artists who have shaped its sound. PROFF’s innovative contributions stand as a testament to his artistry and enduring presence in the Anjunabeats family.
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Trance Review: Above & Beyond and Zoë Johnston - Carry Me Home out on Anjunabeats
“This album is us appreciating how amazing this thing we have is. The realisation of how lucky we are that we get to be part of something like this for 25 years, and to have built a community that cares for each other in the way it does. It’s not about any of us individually. When we all work together to make something happen, something bigger happens.” - Jono, Paavo and Tony – Above & Beyond.
If much of the mindset and mantra behind Above & Beyond over the last quarter of a century has been born from the idea of connection, then their fifth artist album ‘Bigger Than All Of Us’ is best summed up in one word: reconnection.Following the success of first single ‘Quicksand (Don’t Go)', the GRAMMY-nominated trio are back, reconnecting with longtime collaborator Zoë Johnston who has worked with Above & Beyond since 2004’s classic ’No One On Earth’.“We've been working with her for 22 years now, so she's a part of the band.” explains Above & Beyond. "By that token, a song with her vocals is a very reassuring thing for our audience."
Released just days after the announcement of Above & Beyond’s ‘Bigger Than All Of Us’ tour, the catchy riff on ‘Carry Me Home’ will soundtrack the band’s campaign around the 13 stunning North American amphitheaters.Pre-sale will open Wednesday, April 30 at 10am local time, sign up to access via HERE‘BIGGER THAN ALL OF US’NORTH AMERICAN TOUR DATESAug 15 - Deer Lake Park - Vancouver, BCAug 16 - Cascades Amphitheater - Ridgefield, WAAug 22 - Huntington Bank Pavilion at Northerly Island - Chicago, ILAug 29 - Budweiser Stage - Toronto, ONSept 5 - Forest Hills Stadium - New York, NYSept 6 - Leader Bank Pavilion - Boston, MASept 12 - Orlando Amphitheater - Orlando, FLSept 13 - Lakewood Amphitheatre - Atlanta, GASept 19 - Germania Insurance Amphitheater - Austin, TXSept 20 - Dos Equis Pavillion - Dallas, TXSept 27 - Fiddler's Green Amphitheatre - Denver, COOct 2 - The Rady Shell at Jacobs Park - San Diego, CAOct 4 - Shoreline Amphitheatre - Mountain View, CADimitris Kechagias Review:
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[item value="10"]Above & Beyond and Zoë Johnston - Carry Me Home [/item][content title="Summary" label="Overall Score"]Above & Beyond and Zoë Johnston have once again joined forces for "Carry Me Home," the second single from the highly anticipated album Bigger Than All Of Us. This track is a testament to their signature sound, seamlessly blending emotive vocals with intricate trance production techniques. At 130 BPM, "Carry Me Home" is an energetic proglifting trance masterpiece. The track kicks off with pulsating basslines that are meticulously side-chained to allow the kick drum to punch through the mix with clarity and warmth. The live-like percussion adds an organic texture, achieved through a combination of sampled drum hits and real recorded elements layered for depth. The punchy kicks, likely crafted with a combination of analog drum machines and digital enhancement, provide a solid foundation that drives the track forward. The melodic structure is equally compelling. Warm, rock-inspired guitar riffs interlace with nostalgic, trance-infused synth leads—crafted through analog synthesizers and virtual instruments—to create a richly layered soundscape. Above & Beyond's expertise in sound design is evident in the melodramatic, cinematic string arrangements. These strings are likely a blend of high-quality orchestral samples and live recordings, processed with reverb and modulation effects to evoke a sweeping emotional resonance. Zoë Johnston's vocals are the heart of "Carry Me Home." Her voice is captured with pristine clarity, probably using high-end condenser microphones to retain the warmth and subtle nuances. The vocal production involves tasteful reverb and delay effects, providing an ethereal quality that complements the instrumental arrangement. The lyrics, poignant and heartfelt, are structured to be memorable, making it effortless for fans to sing along after just a few listens. The track’s climax is a masterclass in trance progression. An expertly executed build-up using risers, filter automation, and tension-building percussion transitions into an anthemic drop. The drop is characterized by its euphoric melody, underpinned by lush pads and harmonically rich synth layers, creating a sense of grandeur and melancholic beauty. "Carry Me Home" not only stands out as a studio production but also holds immense potential for live performances, especially in unplugged or acoustic formats. Its dynamic arrangement and emotional depth make it a versatile piece that resonates with audiences both on the dance floor and in intimate live settings. This track is undeniably #PureGold, showcasing Above & Beyond’s mastery in blending technical precision with heartfelt artistry. #LoveIT [/content][item value="10"]Beat and Rhythm[/item]
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[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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Trance Review: Oliver Smith & Susie Ledge - Love Is A Feeling out on Anjunabeats
Oliver Smith joins forces with Susie Ledge on ‘Love Is A Feeling’, out now on Anjunabeats.As Anjunabeats’ first signing and one of the label’s oldest and dearest friends, Oliver Smith has amassed over 20 million streams across his entire catalogue. Recent years have seen the London-based DJ and producer release a string of hits, including ‘Lovingly’, ‘Warehouse’ and ‘Be Alone’, which rapidly ascended the Beatport charts. In 2018, Oliver mixed the ‘Anjunabeats Worldwide 08’ compilation, which included ten of his own productions and reached the #1 spot on the iTunes dance chart in the USA, UK, Canada, and Australia.Last year, Oliver released the ‘Be Kind Rewind’ EP in collaboration with fellow label linchpin Andrew Bayer, which totalled over 2 million streams, earning support from the likes of Jason Ross, Ruben De Ronde and Tritonal. The EP also saw large radio support, including Ben Malone on KISS FM and Armin van Buuren on A State Of Armin (SiriusXM). Oliver also joined Anjunabeats on the After Dark North America tour, playing in Seattle, Boston and Toronto, as well as playing alongside Cosmic Gate at Dream Scape in Hanoi.‘Love Is A Feeling’ is the latest single from Oliver Smith’s debut studio album ‘Footprints’, out 2nd May on Anjunabeats. The track sees Oliver collaborate with songwriter and vocalist Susie Ledge, who has worked with accomplished artists like Le Youth, Cosmic Gate, Wanklemut, Alex Cruz, Miss Monique and more. Susie’s releases have also seen support from the likes of Armin van Buuren, Markus Schulz and Ferry Corsten, as well as BBC Radio 1.The new single arrives hot on the heels of Oliver’s head-turning singles ‘Rely On Me’ and ‘Breathe’, which have since totalled over 1 million streams and have earned support from Armin van Buuren, Ferry Corsten, Giuseppe Ottaviani, Solarstone, Don Diablo, Gabriel & Dresden, Massane, Mees Salomé and more, as well as from editorial playlists on Spotify and Apple Music including Heart Beats, Trance Mission, danceXL, Trance & Progressive, Future Dance Hits, and Breaking Dance to name a few.‘Footprints’ takes listeners on a captivating journey through Oliver’s evolution as an artist. The timeless and hotly anticipated debut album is one of the top requested Anjunabeats releases to date, and is the culmination of a songwriting process that began several years ago.“I wanted to go beyond club music and tell real stories, so I collaborated with some incredible singers and songwriters who brought a whole new dimension to the project,” Oliver says. “I put a lot of thought into making sure every track had something special and truly deserved its place on the album. I think people will recognise the thread that connects all my releases, and hopefully, they’ll enjoy the new directions I’ve explored as well.”
Oliver Smith embarks on a North American headline album tour this May spanning Dallas, San Francisco, Ottawa and beyond, alongside stops at Avant Gardner in New York City and Anjunadeep Explorations in Albania. Tickets on sale now: http://bandsintown.com/oliversmithOliver Smith & Susie Ledge ‘Love Is A Feeling’ is out now on Anjunabeats.Dimitris Kechagias Review:
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[item value="10"]Oliver Smith & Susie Ledge - Love Is A Feeling[/item][content title="Summary" label="Overall Score"]Oliver Smith and Susie Ledge's debut collaboration on "Love Is A Feeling" is a masterclass in contemporary electronic music production, drawing on both nostalgic and innovative elements to create a track that resonates deeply with its audience. Technically, the production shines with Oliver Smith’s signature style, blending crisp, high-definition sound design with an emotional core. The track opens with a rich, resonant piano melody—reminiscent of the big piano pop dance era in the UK—crafted using layered grand piano samples processed with subtle reverb and delay to enhance spatial dynamics. The melody, while simple, is meticulously structured to serve as the emotional anchor of the track, inviting listeners into a soundscape that feels both familiar and fresh. The rhythm section is where the track truly pulses with life. Smith employs pulsating basslines crafted with analog synthesizers, providing a warm, rounded low-end that complements the thumping kick drum—a staple in dance music designed to drive energy on the dance floor. The kicks are tightly compressed to maintain clarity and punch, while elastic drum patterns, featuring syncopated hi-hats and snappy snares, add dynamic movement and groove. Suzie Ledge's vocal performance is seamlessly integrated into the production. Her vocals are not just layered over the instrumental; they are woven into the fabric of the track through advanced vocal processing techniques. This includes precise EQ adjustments for clarity, gentle compression to maintain consistent dynamics, and spatial effects like reverb and stereo widening to create an ethereal, enveloping presence. The melancholic yet euphoric tone of her voice aligns perfectly with the lush harmonic progressions, enhancing the emotional impact during the climactic build-ups. The arrangement showcases a careful balance between tension and release—a hallmark of effective dance music. This is achieved through gradual modulation of energy levels, strategic breakdowns, and euphoric climaxes, where all elements converge to create moments of sheer emotional intensity. The use of automation in filter sweeps and volume faders adds to the dynamic contour of the track, ensuring that each section flows seamlessly into the next. Overall, "Love Is A Feeling" is not just a song; it's an expertly crafted sonic journey that leverages state-of-the-art production techniques to evoke both nostalgia and excitement, making it a standout track in the realm of modern electronic music. #PureGold Love iT[/content][item value="10"]Beat and Rhythm[/item]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]Additional info:
linktr.ee/oliversmith
linktr.ee/SusieLedge -
Trance Review: Alex Sonata & TheRio x Elevven - Blue Java out on Anjunabeats
Alex Sonata & TheRio team up with Elevven on ‘Blue Java’.Fraser Shaw and Riccardo Derio first began producing together in 2018 and two years later they officially emerged as Alex Sonata & TheRio. In 2021, the duo made their debut on the label with ‘Time’, released as part of the Anjunabeats Rising series. The Scottish-Italian duo then followed up with a string of trance floor-fillers such as ‘Are We Dreaming’, ‘Cala Luna’, ‘Breath Of The Wild’ in 2022.In 2023, Alex Sonata & TheRio joined forces for the first time with Elevven on ‘Hanalei’ which saw extensive support amongst the trance community and amassed over 1M streams. 2023 also saw the release of ‘Mantra’, supported extensively by Above & Beyond, notably during the trio's headline performances at Electric Daisy Carnival in Las Vegas and London’s Printworks. The duo also collaborated with trance linchpin Giuseppe Ottaviani and electro-pop vocalist Tishmal on ‘Tears Of The Kingdom’, as well as mixing the hotly-anticipated Anjunabeats Worldwide 11 compilation, which shot to #1 on the US iTunes Dance chart.Last year, they released ‘Halcyon’ alongside Equinøx, which saw radio spins from Armin van Buuren, Farius and Ferry Corsten, as well as support from Kyau & Albert and many more. The duo also remixed Darren Tate & Solarstone’s ‘A Long Way From Home’, featuring vocals from Julie Scott.US-based duo Elevven first appeared on the label with their remix of Gabriel & Dresden’s ‘You’, going on to become one of Above & Beyond’s most played tracks of 2018. Following this, the duo have remixed 7 Skies ‘Sushi’, Andrew Bayer & Red Dragons ‘Matriarch’ as well as releasing their first original release on Anjunabeats, ‘The Distance’.Alex Sonata & TheRio marked the beginning of their 2025 with an official cover of iconic 2000s electro track ‘The Drill - The Drill’, debuted by the duo in front of 12,000 fans at ABGT600 in Mexico City. Now, they join forces with Elevven again for the second time on ‘Blue Java’, which has earned repeated spins by Above & Beyond on their recent run of dates in Australia.Alex Sonata & The Rio x Elevven ‘Blue Java’ is out now on Anjunabeats.
Dimitris Kechagias Review:
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[item value="10"]Alex Sonata & TheRio x Elevven - Blue Java [/item][content title="Summary" label="Overall Score"] Alex Sonata & TheRio x Elevven's collaboration, "Blue Java," stands out as a masterclass in progressive uplifting trance production, combining technical sophistication with emotive resonance. This 132 BPM proglifting anthem is meticulously crafted, showcasing a deft blend of sound design, arrangement, and mixing techniques that hallmark the Anjunabeats aesthetic. Starting with its rhythmic foundation, "Blue Java" employs chunky, well-processed drums that anchor the track with precision. The kick drum is notably metallic, achieved through layering techniques that merge a punchy low-end subkick with a high-frequency click, ensuring clarity and impact on large sound systems. The snare and clap elements are tight and crisp, often treated with transient shaping and subtle reverb to maintain their snap without muddying the mix. The bassline is infused with electro touches, likely crafted using subtractive synthesis with a focus on modulation to create movement within the low frequencies. Techniques such as sidechain compression are evident, particularly in how the bass ducks subtly under the kick, providing that signature pulsating groove essential to trance energy. The arrangement is both playful and dynamic. Automation plays a crucial role here—filter sweeps, reverb tails, and delay feedback loops are meticulously controlled to build tension and release seamlessly. This leads to the breakdown, a mesmerizing, feel-good segment that acts as a meditative pause. Here, lush pads, possibly created with virtual analog synthesizers, fill the stereo field, layered with atmospheric textures and subtle field recordings to enhance the emotional depth. The climax is an epitome of euphoric trance energy. Big, anthemic synth stabs dominate, crafted with rich saw waves, detuned slightly to create a wide, thick sound. The melodies are colorful yet tinged with melancholy, a testament to the careful selection of scales and chord progressions that evoke both joy and introspection. Advanced layering techniques are used to stack harmonies, while dynamic processing ensures that each element retains its place in the busy mix. Overall, "Blue Java" is not just a track; it's a testament to the meticulous art of trance production. Its energetic foundation, dynamic flow, and emotional peaks ensure it resonates deeply with listeners and keeps dancefloors vibrant. #PureGold indeed. Love IT[/content][item value="10"]Beat and Rhythm[/item]
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[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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Trance Review: Amos & Riot Night & Inoblivion - False Awakening out on FSOE
Amos & Riot Night & Inoblivion team up for False Awakening on FSOE
Dimitris Kechagias Review:
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[item value="10"]Amos & Riot Night & Inoblivion - False Awakening [/item][content title="Summary" label="Overall Score"]Amos & Riot Night & Inoblivion's first-ever collaboration, "False Awakening," makes a powerful debut on FSOE, showcasing the artists' dedication to high production standards and technical mastery. This 140 BPM uplifting trance anthem expertly blends nostalgic trance elements with modern production techniques, creating a track that resonates with both seasoned trance enthusiasts and new listeners. The foundation of "False Awakening" lies in its meticulously crafted basslines. The big, pulsating driving basslines are engineered using layered sub-bass and mid-bass frequencies, providing both warmth and punch. These are complemented by tightly compressed, thumping kick drums that maintain clarity and prevent frequency overlap—a hallmark of professional trance production. The rhythm section features pounding drums with carefully EQ'd transients to ensure crispness without overwhelming the mix. The magical piano chords are processed with reverb and subtle delay effects, creating an ethereal, atmospheric quality that adds emotional depth. These chords are harmonically aligned with the big, uplifting synths, which utilize sawtooth waveforms layered with supersaw patches to achieve that rich, expansive trance sound. The sunkissed strings are likely crafted using a combination of virtual string libraries and synthesized layers, enhanced with modulation effects like chorus and phaser to add texture and movement. Choral voices, treated with stereo widening techniques and reverb, float atop the mix, adding a celestial quality that enhances the track's emotional impact. The mesmerizing breakdown is a masterclass in dynamic contrast. Cool breakbeats are introduced, featuring syncopated hi-hats and snare rolls, providing rhythmic variety. Underneath, delicate piano melodies intertwine with guitar riffs—both processed with reverb and delay to maintain spatial coherence. The reintroduction of choral voices and the gradual build-up of big, epic synths lead seamlessly into an outstanding climax, marked by a euphoric release of energy and melodic resolution. Overall, "False Awakening" stands out as a meticulously produced anthem, blending technical precision with emotive artistry. Its complex layering, dynamic progression, and pristine sound design make it a standout track destined to be one of the big anthems for the summer. #PureGold #LoveIT [/content][item value="10"]Beat and Rhythm[/item]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]Additional info: -
ALBUM: Estiva - Embrace out on Colorize
Colorize proudly presents 'Embrace', the highly anticipated new album from Estiva, arriving on the 25th of April.
Following the success of 'Infinita', Dutch producer Estiva returns with a bold new statement, expanding his signature progressive and melodic sound into fresh, exhilarating territory. 'Embrace' is a masterclass in sonic storytelling-an album that seamlessly fuses club-driven energy with intricate sound design, creating an immersive journey from start to finish.A defining force in electronic music since 2007, Estiva (aka Steven Baan) has solidified his reputation through a prolific discography spanning labels like Anjunabeats, Armada, and Enhanced, as well as through global performances at Tomorrowland, Ultra, Creamfields, and Dreamstate. His long-standing relationship with Colorize has seen him deliver groundbreaking original productions, remixes, and curation of the esteemed Colorscapes compilation series.Now, with 'Embrace', Estiva showcases his ever-evolving artistry. The album is a fusion of deep, driving grooves, expansive melodies, and forward-thinking production, designed to captivate both dance floors and intimate listening spaces alike. From euphoric, progressive highs to atmospheric, introspective moments, 'Embrace' is a testament to Estiva's ability to balance emotion and energy with finesse.Having already teased the album with standout singles like 'Sudden Moves', 'Parlez-Vous', 'Lonely Keys' and 'KFIL' anticipation is high for the full project, which promises a collection of tracks that define the sound of modern progressive music. 'Embrace' is more than just an album-it's an invitation into Estiva's world, a sonic journey that is set to resonate deeply with fans old and new.
DISCOVER THE ALBUM HERE
Dimitris Kechagias Review:
[review top="1"][item value="10"]Estiva - Embrace [/item][content title="Summary" label="Overall Score"] Estiva’s latest album, Embrace, released under Colorize, is a sonic journey that effortlessly blends progressive house and trance elements. Each track contributes uniquely to the album’s immersive atmosphere. Embrace The title track sets the tone with lush synth layers and an emotionally charged buildup. It’s both euphoric and grounding, embodying the album’s central theme of connection. Shores A melodic masterpiece that conjures images of serene coastlines. The gentle ebb and flow of the rhythm mirror ocean waves, while the soft percussions add a calming touch. All Night A dynamic track that leans into a more upbeat, dancefloor-ready vibe. Its pulsating bassline and catchy hooks make it an instant anthem for late-night sets. Parlez-Vous Infused with French vocal snippets, this track is playful yet sophisticated. The groovy bass and rhythmic complexity showcase Estiva’s versatility. Interlude (Little Love) A brief but beautiful pause in the album. This ambient interlude is tender and heartfelt, serving as a reflective moment amidst energetic tracks. Little Love Expanding on the interlude, this version brings in rhythmic depth while maintaining the emotive core. The delicate melodies are complemented by subtle beats. KFIL A darker, more introspective piece with hypnotic arpeggios and deep basslines. It’s a standout for its moody, immersive atmosphere. Lonely Keys True to its name, this track features haunting piano melodies layered over ethereal synth pads. It's melancholic yet beautiful. Sudden Moves A return to high-energy beats with unexpected rhythmic shifts and bold synth stabs. Its unpredictability keeps listeners engaged. Interlude (Leave A Trace) Another ambient breather, this interlude is shrouded in mystery, with airy pads and subtle textures that evoke introspection. Satellite Uplifting and expansive, this track feels like soaring through the stratosphere. The progressive build and celestial sounds are captivating. Feel Alive A euphoric anthem with vibrant melodies and driving rhythms. It embodies a sense of freedom and invigoration. E.T. Dust With its spacey synths and cosmic vibes, this track feels like an interstellar adventure. The intricate sound design is mesmerizing. No Echoes Closing the album on a reflective note, this track is minimalistic yet powerful. Its delicate balance of silence and sound leaves a lasting impression. Estiva’s Embrace is a well-curated collection that showcases his growth as an artist. The seamless blend of melodic progressions, emotional depth, and rhythmic diversity makes it a standout release on Colorize. #PureGold Love IT [/content][item value="10"]Beat and Rhythm[/item]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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Trance Review: Spencer Newell - Focus One out 9/5/2025 on Degenerate
Spencer Newell joins the other Degenerates with a total face-melter called Focus One...and we're pretty sure you're probably not ready for what this one is about to unleash. You've been warned!Enjoy!Dimitris Kechagias Review:
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[item value="10"]Spencer Newell - Focus One [/item][content title="Summary" label="Overall Score"]Spencer Newell, renowned for his uplifting trance masterpieces, ventures into harder territory with his latest track, "Focus One," released under the Degenerate label. This 139 BPM powerhouse is a testament to Newell's versatility and prowess in electronic music production, embodying the spirit of a harder anthem meticulously crafted for peak-time energy. The track kicks off with an assertive introduction, marked by heavy, hard-hitting basslines that are tightly compressed to enhance their punch and clarity. These basslines, layered with precision, create a dense low-end presence that drives the track's aggressive momentum. The raw, pounding kicks are sculpted using advanced layering techniques, combining multiple kick drum samples—each EQ’d separately—to achieve a robust and resonant thump that cuts through the mix without overwhelming other elements. Complementing the rhythmic foundation are rough, textured percussions, crafted through a blend of synthesized hits and processed acoustic samples. These percussive elements add a gritty texture, enhanced by subtle saturation and transient shaping to maintain their sharpness and impact across different playback systems. Cool vocal samples are interwoven sparingly, treated with time-stretch effects and reverb tails to add a haunting, ethereal quality that contrasts the track's otherwise raw sonic landscape. Beneath the aggressive exterior lies a cool, uplifting synth melody that introduces a dynamic shift. This melody is synthesized using analog emulation plugins to capture that warm, vintage feel synonymous with old-school hard trance. The melody's modulation, achieved through automated filter sweeps and LFO-driven pitch variations, injects a sense of drive and intensity, bridging the gap between nostalgic trance vibes and modern hard dance energy. As the track progresses to the breakdown, Newell showcases his melodic prowess with an anthemic lead supported by melodramatic synth stabs. These stabs are crafted using layered saw waves, processed through chorus and delay effects to enhance their emotional impact. The transition into the peak-time climax is masterfully executed, with acid layers introduced through resonant 303-style synth lines, automated to build tension and aggression. These acid elements, combined with uplifting synths and epic, reverb-laden strings in the background, create a rich, expansive soundscape. The production techniques employed in "Focus One"—from meticulous EQing and dynamic processing to creative sound design and arrangement—culminate in an energetic, dynamic, and hard-hitting anthem. Spencer Newell's ability to fuse technical precision with emotional resonance makes this track not just a hard dance record, but an anthem in the making. #PureGold Love iT[/content][item value="10"]Beat and Rhythm[/item]
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[item value="10"]You can’t get this memorable track out of your head[/item]
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Music Conference: IMS Ibiza 2025 was a resounding success, here is the recap of the 3rd and final day
Friday is always a day of celebration at IMS Ibiza – as the prospect of IMS Dalt Vila, presented in partnership with AlphaTheta, grand finale to the Summit and the unofficial start of the Ibiza season – looms large. With the 1,700+ delegates (this has been the most attended IMS Ibiza in our 16-year history) fully oriented, caught up on most of their meetings and starting to reconcile the packed days at the Mondrian and Hyde Ibiza with the equally busy nights (call it the ‘Ibiza rhythm’), there’s been a relaxed feel today, helped by yet more stunning spring sunshine.That’s not to say that there haven’t been some vital issues discussed. On the Summit Stage – Indoor, the day began with two sessions on a key theme of IMS Ibiza 2025: Four Decades of Jungle & Drum ’n’ Bass. Building on what we heard from SHERELLE and DJ Flight in yesterday’s Intergenerational Exchange, the first was on female representation in the genre. ‘Too Many Man Too Many Many Man’: Gender Parity Past, Present and Future featured perspectives from some of the women driving the scene, including a genuine legend and pioneer in MC Chickaboo. Electronic music as a whole has a tendency to write its female figures out of its history, and its foundational narratives, and it felt important to hear the ‘herstory’ for once – and reassuring that after a long period where few female acts seemed to be following in the footsteps of the OGs, more women than ever are now coming into the scene.The next session, The MCs to the OGs to the New Breed, explored the quite incredible longevity of Jungle and Drum ’n’ Bass. The overriding message? From liquid to jump-up, these genres are so endlessly resilient because audiences and artists alike know, respect and care passionately about their heritage, their roots and the legacy of the sound.Delegates have really embraced The Art of Areté’s focus on wellness, resilience, mental health and maximising human potential this year. The morning walk, the yoga, breathwork and sound frequency sessions have been busier than ever before, while today’s session on Reinvention in the Music Business, with Pete Tong and Carolina Tong alongside Danny Whittle, Deer Jade, and Alex Tripi explored one of the best features of our culture, the way that it offers so many opportunities to grow and change across different facets of the industry – on the proviso that you stay true to your own self.In the Brave Space presented by HE.SHE.THEY. in partnership with One Of Us, fittingly at times the most culturally fearless hub of IMS Ibiza 2025, an emergency session, Navigating DEI in the Current Climate, offered guidance – and a little hope – for anyone concerned about keeping electronic music as a medium for equity and diversity in the face of the current backlash happening in the USA.Opening up electronic music to everyone was also explored in Breaking Barriers – Dispelling Elitism in Dance Music, presented by Homecoming™. “Being included is easy,” said Shamiso, “being supported is being given space to grow, to see what we are capable of, to be able to share our ideas and support other people.” Definite echoes of Andy Crysell’s talk yesterday, where he pointed to the culture’s legacy of offering opportunities in the creative industries to people that are so often excluded from them.Indeed, Homecoming™’s several excellent sessions have reflected something striking across the Summit this year: just how many global electronic music scenes have been represented, each bringing their own perspective on business, culture, and of course the music. Whether Drum ’n’ Bass and Jungle, rooted as they are in British multiculturalism, the rise of electronic music culture in the Middle East (exemplified by last year’s debut of IMS Dubai), the East meets West session (recorded with the BBC South Asian Network as part of a special radio documentary), the focus on the live landscape and markets in Spain and in the US, or the many African artists that were such a presence this year, there’s been a strong sense of international cultural exchange, of different elements of the global community learning from each other.RA’s session in the main room, The Future of Global Nightlife: How to Rebuild a Sustainable Eco-System, struck a timely warning note amid the final day euphoria. This global club culture that we love and work in can only survive if we – as artists, as audiences, as promoters, as agents, as an industry – support smaller grassroots venues. The kinds of places where, just to pick an example at random, Jungle and Drum ’n’ Bass first took root four decades ago…The theme of Intergenerational Exchange has galvanised this year’s program, and today’s final session, pairing Dantiez with a founding father of techno (and of course, Dantiez’s actual father) Kevin Saunderson, encapsulated what these one-to-one exchanges have given us all week: intimate, insightful discussion, as different generations of our culture see what they can learn from each other – and the spirit and values that transcend eras and age differences. Kevin, a truly foundational figure in electronic music, was also presented with this year’s IMS Pioneer Award, presented in association with AlphaTheta.It only remains then to dash for the ferry to IMS Dalt Vila, and to thank the sponsors and partners of IMS Ibiza: AlphaTheta, Beatport, Favela Cerveja, L-Acoustics, Weeztix, MDLBEAST, Burn, Helix Records, Ultra Records, Telekom Electronic Beats, Plain Supply, Believe/Tunecore, YouTube, PIPP, Deezer, One Of Us, Ibiza Calm, PPL, Festibax, AFEM, The Art of Areté, Bridges for Music, Earth Percent and He.She.They.Thanks also to Katie Sallows, Melissa Sutton, Farah Nanji, our production partners at The Shop Productions and all of the fantastic team that makes the Summit a reality every year: the IMS Curation Committee, the photography, video, PR and marketing teams, our hosts at the wonderful Mondrian and Hyde Ibiza, the IMS Ibiza Founders Ben Turner, Pete Tong, Simeon Friend and Danny Whittle, and our partners Beatport, and of course YOU: the delegates, speakers and artists who came together to manifest three truly exceptional days and nights of connection, inspiration and education.IMS Ibiza will return in 2026.
QUOTES OF THE DAY
“Where Africa is right now… it’s how I imagine dance music was at the start. It feels like something real and exciting and led by emotion and community. Those are the people we should all be learning from.” Dare Balogun, Cultural Strategist, Metallic
“Jungle is our hip hop. We made it, it’s a British thing and it’s lasted for decades and gone all around the world. We have to be so proud of that.” Krust
“Who gets to make music at the end of the day is not going to be supported from the beginning of their life. [When we talk about DEI] we’re talking about kids’ capacity to have a healthy and fulfilling life, and possibly a career in the arts.” softchaos
“A lot of major agencies… they don’t see club culture as valuable: it’s all about hard ticket festivals and building up fees and ticket data. They‘re not looking at grassroots or smaller venues as important.” Ellis Coles, Booker, fabric
“We’re the number one Latin House label in the world right now. That just comes from two guys who didn’t really know what they were doing – but believed in the sound.” HUGEL
“Everyone should have a mentee. If you’ve been in the industry for 10 years and you’re now a master at what you do, you should pass that on to the next generation.” Amy Jayne, Senior Label Services Manager, LabelWorx
“TikTok has been a huge driver of major label interest. But, at times, you’re seeing young artists getting signed off the back of TikTok who don’t actually know how to produce a full-length track. They just know how to make the 30-second clip.” Chris Goss, CEO / Co-founder, Hospital Records
“Coming to South London, it felt like utopia: the diversity of people, the representation. But as I moved from DIY promoting up through the echelons to the managerial, hidden regions of electronic music, I realised I was the only one [like me] in the room again.” Bradley Zero
“When [Dantiez] first got into DJing and said he wanted to make music, I wouldn’t let him in my studio. I told him to go and watch YouTube. But he was persistent and learnt, and we hit a moment when the beats never stopped in the house, so six or seven months in I realised he had this creative energy and started to take him seriously. He started reminding me of me back in the day.” Kevin Saunderson
“Diversity and inclusion is inherent in what we do, and even in our business model. Bottom line: a diverse workforce and diverse artist roster makes us more profitable.” Maria May, Music Agent, Creative Artists Agency
“I could never have envisioned when I started that I’d still be doing this 45–50 years later. Ultimately, I have so many different jobs because when I started, you couldn’t make a living just being a DJ.” Pete Tong
“I get people coming up to me and saying, ‘My mum used to rave to you,’ or ‘My dad used to rave to you.’ While that makes me feel really old, it makes me feel great that these parents are happy for their kids to go to d’n’b events and carry the torch on.” MC Chickaboo
IMS Ibiza 2025 - Day 3 SummaryFriday at IMS Ibiza 2025 embodied a spirit of celebration, anticipation, and reflection as over 1,700 delegates—the largest attendance in IMS history—geared up for the grand finale at IMS Dalt Vila, marking the unofficial start of the Ibiza season. The day was bathed in radiant spring sunshine, setting the tone for meaningful discussions and cultural exchanges.Key Themes and Sessions:Four Decades of Jungle & Drum ’n’ Bass: The Summit Stage opened with in-depth discussions on the resilience and evolution of these genres. The session on gender parity, ‘Too Many Man Too Many Many Man’, spotlighted female pioneers like MC Chickaboo, emphasizing the increasing presence of women in the scene. Another session, The MCs to the OGs to the New Breed, celebrated the genre’s enduring legacy rooted in respect for its heritage.Wellness and Personal Growth: Delegates engaged deeply with The Art of Areté, embracing wellness activities like yoga and breathwork.A compelling discussion on Reinvention in the Music Business featured industry leaders like Pete Tong, highlighting the dynamic opportunities within the industry.Diversity, Equity, and Inclusion (DEI): The Brave Space hosted an urgent session, Navigating DEI in the Current Climate, addressing challenges within the global music landscape. Breaking Barriers – Dispelling Elitism in Dance Music emphasized the importance of support systems beyond mere inclusion.Global Cultural Exchange: Sessions reflected the rich tapestry of global electronic music, from Middle Eastern influences to African artistry, fostering international dialogue and learning.Sustainability in Nightlife: RA’s session, The Future of Global Nightlife, underlined the crucial role of grassroots venues in sustaining vibrant club cultures worldwide.Intergenerational Exchange:The day concluded with a heartfelt conversation between techno pioneer Kevin Saunderson and his son, Dantiez, showcasing the enduring values within electronic music. Kevin’s receipt of the IMS Pioneer Award was a fitting tribute to his influence.As delegates transitioned to IMS Dalt Vila, the energy was electric, filled with gratitude for the connections, insights, and inspirations cultivated over three transformative days.IMS Ibiza will return in 2026.Additional info:
